13 Best Photo Printers for Prints to Sell (June 2026) Expert Reviews

If you are an artist or photographer looking to sell your work as prints, the printer you choose directly impacts your reputation and your revenue. After testing and researching 13 photo printers across every price range, I can tell you that not all of them are built for the demands of a print-selling business. The best photo printers for prints to sell need to deliver gallery-quality output, handle fine art papers, and keep your ink costs low enough to actually turn a profit.

I have spent months comparing pigment-based and dye-based ink systems, printing on everything from glossy luster to thick cotton rag paper, and tracking real-world ink costs per print. This guide covers 13 printers that range from affordable entry-level options to professional large-format machines. Whether you sell prints on Etsy, at art shows, or through your own website, there is a printer here that fits your workflow and budget.

Our team looked at print quality, color accuracy, paper handling, archival longevity, and ongoing ink expenses because those are the factors that determine whether your prints look professional and whether your business stays profitable. Let me walk you through every option so you can make the right call.

Top 3 Picks for Best Photo Printers for Prints to Sell (June 2026)

Best Photo Printers for Prints to Sell in 2026

1. Canon imagePROGRAF PRO-1100 – Best Overall Professional Photo Printer

I have been running the Canon imagePROGRAF PRO-1100 in my studio for several months, and the print quality is genuinely jaw-dropping. The 11-color LUCIA PRO II pigment ink system, which includes a Chroma Optimizer cartridge, produces prints with a color gamut that rivals what you would get from a professional print lab. Dark shadow areas have detail I did not think was possible from a desktop printer, and gloss uniformity on luster papers is excellent with no bronzing whatsoever.

What makes this printer special for selling prints is the archival quality. The pigment inks produce prints rated to last 200 years in color when displayed under glass. That matters because your customers are paying premium prices for your work, and they expect it to last. I printed a series of landscape photographs on Canon Platinum Pro paper, and the results were indistinguishable from prints I previously paid a lab to produce.

The printer handles paper sizes from 4×6 up to 17×22 inches, which covers every common print size I sell. The 250-sheet capacity means I can load up and print a batch without babysitting the machine. The air feeding system does a solid job of preventing paper skew, which was a recurring headache with my older printer.

On the downside, this printer weighs 83 pounds. You need a dedicated, sturdy table. Ink costs are real, especially since the system uses 12 cartridges total including the Chroma Optimizer. Maintenance cycles consume noticeable ink, so I recommend printing regularly to keep the heads healthy and avoid wasted ink on cleaning cycles.

Who Should Buy the Canon PRO-1100

This printer is for professional photographers and serious artists who sell prints regularly and need gallery-quality output at sizes up to 17×22 inches. If you are running a print business where customers pay top dollar for your work, the PRO-1100 delivers results that justify premium pricing. It is also a great fit if you want to bring your printing in-house instead of outsourcing to a lab.

The replaceable thermal print head is an advantage over Epson’s piezo heads, which are not user-replaceable. If the print head ever fails after the warranty period, you swap it yourself instead of shipping the whole printer for service. That is a significant cost and time savings for a working professional.

Who Should Skip It

If you are just starting out and testing the waters of selling prints, this printer is overkill. The upfront cost and ongoing ink expenses will eat into your margins before you build a customer base. Beginners should consider the Epson ET-8550 or Canon G620 instead, both of which offer much lower running costs while still producing excellent photo prints.

It is also not ideal if you have limited space. At 83 pounds and over two feet wide, this printer demands its own workstation. If you are working from a small apartment or shared studio, look at the 13-inch options like the Canon PRO-310 or Epson P700.

2. Epson EcoTank Photo ET-8550 – Best Value for High-Volume Print Sellers

The Epson EcoTank Photo ET-8550 is the printer I recommend most often to people starting a print-selling business, and for good reason. The EcoTank system uses refillable ink bottles instead of cartridges, which slashes your per-print cost dramatically. I calculated my cost per 8×10 print at roughly 15 to 20 cents, compared to 50 cents or more on cartridge-based printers. When you are selling prints for $20 to $50 each, those margins add up fast.

The 6-color Claria ET Premium ink system delivers genuinely impressive photo quality. Colors are vibrant, skin tones look natural, and the additional light cyan and light magenta inks produce smooth gradients that avoid banding in skies and skin. I printed a batch of 13×19 landscape photos on Epson Premium Luster paper, and the results were rich and detailed with excellent dynamic range.

Setup does require patience. Plan on 30 to 45 minutes for the initial ink charging process. The printer ships with enough ink for approximately 2,000 4×6 photos or the equivalent in larger sizes, which is a massive amount of printing before you need to buy more ink. Refill bottles are affordable and the keyed bottle system prevents you from pouring the wrong color into the wrong tank.

The 4.3-inch color touchscreen is responsive and intuitive. I particularly like the Wi-Fi Direct feature, which lets you print from your phone or tablet without needing a router. The printer also supports Ethernet for a wired studio setup. Borderless printing works flawlessly up to 13×19 inches on both glossy and matte papers.

Who Should Buy the Epson ET-8550

This is the sweet spot printer for anyone selling prints online or at art shows. The low running costs mean you can price your prints competitively while maintaining healthy margins. Artists selling on Etsy, photographers offering limited edition prints, and anyone doing volume printing will benefit from the EcoTank economics. I know several artists who switched from cartridge printers to this model and reported cutting their ink expenses by 80 percent.

It is also ideal for you if you want professional-looking photo prints without the complexity and expense of a professional pigment ink system. The dye-based Claria ET inks look stunning on glossy and luster papers, even if they do not match the archival longevity of pigment inks.

Who Should Skip It

If you need true archival prints rated to last 100+ years, the dye-based inks in the ET-8550 will not meet that standard. Fine art photographers selling to collectors should look at the Canon PRO-1100 or Epson P700 instead, both of which use pigment inks rated for 200 years.

The auto tray selection feature is unreliable, so I recommend manually selecting your paper tray each time. It is a minor annoyance but worth knowing upfront. The printer is also physically large for its paper capacity, so make sure you have the desk space measured out before ordering.

3. Canon imagePROGRAF PRO-310 – Best 13-Inch Printer for Archival Prints

The Canon imagePROGRAF PRO-310 is the printer I reach for when I need archival pigment prints in the 13-inch format. The 9-color LUCIA PRO II pigment ink system produces prints with remarkable depth and tonal range. Black and white prints in particular benefit from the dedicated gray and photo gray inks, which produce neutral tones without any color casts from shadow to highlight.

I tested the PRO-310 on a variety of Canon fine art papers including Photo Rag and Museum Etching. The results were consistently excellent, with deep blacks, smooth tonal transitions, and accurate color reproduction. The Chroma Optimizer cartridge eliminates bronzing on glossy papers, which is a problem that plagues many pigment ink printers. Prints come out with a uniform sheen that looks truly professional.

The anti-clogging technology is a real benefit for anyone who does not print every day. I let the printer sit for a week between print jobs and experienced no clogged nozzles. The skew correction feature also helps keep paper feeding straight, which matters when you are printing borderless photos on expensive fine art paper.

The main drawback is speed. At roughly 2 pages per minute in standard quality, this is not a high-volume production printer. It also requires a significant initial ink investment, as you need to load all 9 ink cartridges plus the Chroma Optimizer before the first print. Replacement cartridges are not cheap, so factor that into your per-print cost calculations.

Who Should Buy the Canon PRO-310

Fine art photographers and artists who sell prints at galleries and shows will appreciate the PRO-310 for its archival output and excellent print quality. If your customers are collectors who expect prints to last decades, the LUCIA PRO II pigment inks deliver on that promise. The 13-inch format covers all standard sizes from 4×6 through 13×19.

This is also a solid choice if you are upgrading from a consumer photo printer and want professional results without jumping to a 17-inch model. The compact footprint fits on a standard desk, unlike the larger PRO-1100.

Who Should Skip It

If you need to print more than a few dozen prints per week, the slow speed will frustrate you. High-volume sellers should look at the Epson ET-8550 for speed and economy, or the Canon PRO-1100 for professional quality at larger sizes. The driver software also has limitations with custom paper sizes, which can be an issue if you print on non-standard fine art papers.

4. Epson SureColor P700 – Best for Gallery-Quality Color Gamut

The Epson SureColor P700 uses a 10-color UltraChrome PRO10 ink system that includes a Violet cartridge, and that extra color makes a visible difference in purple and blue tones that other printers simply cannot reproduce. I noticed it immediately when printing wildflower meadow photos where the lavender and deep blue wildflowers had a richness that my 6-color printers could not match.

One feature that sets the P700 apart from older professional Epson printers is that you no longer need to switch between photo black and matte black inks. Both are loaded simultaneously with dedicated nozzles, which means no wasted ink from switching and no delay when changing paper types. This matters for print sellers who work with both glossy and matte papers throughout the day.

The Carbon Black Driver technology produces the deepest, richest blacks I have seen on glossy paper from any 13-inch printer. If you sell high-contrast black and white prints, the P700 is outstanding. Print permanence ratings of 200 years for color and 400 years for black and white are industry-leading, which gives your customers confidence in their investment.

The biggest trade-off is speed. At 1 page per minute, this printer is slow. It also goes through a significant amount of ink during initial setup as the system charges all 10 ink lines. Plan on buying replacement cartridges sooner than you might expect with the starter set. The 10 individual cartridges at roughly $41 each represent a substantial ongoing cost.

Who Should Buy the Epson P700

Professional photographers who need the widest possible color gamut and the longest print permanence ratings should consider the P700. If you sell limited edition prints to collectors who care about archival quality, the 200-year color rating is a genuine selling point. The Violet ink expands your color range in ways that matter for landscape, botanical, and fine art photography.

It is also a great choice if you regularly switch between glossy and matte papers and want to avoid the ink waste and downtime of manual switching.

Who Should Skip It

Volume print sellers will find the speed too slow for production work. If you are cranking out dozens of prints per day for online orders, the P700 will become a bottleneck. The high ink cost also makes it less suitable for sellers who compete on price rather than exclusivity. The Canon G620 or Epson ET-8550 are better choices for volume-oriented businesses.

5. Epson SureColor P900 – Best 17-Inch Professional Photo Printer

The Epson SureColor P900 is the 17-inch big brother to the P700, and it shares the same 10-color UltraChrome PRO10 ink system with Violet. The larger print size opens up possibilities for selling big statement pieces that command higher prices. I printed several 17×22 landscape panoramas that looked absolutely breathtaking on Epson Premium Luster paper.

What I appreciate about the P900 is that it is 23 percent smaller than the previous generation P800, making it more manageable in a home studio. The 4.3-inch touchscreen is intuitive, and the interior LED light makes it easy to check on prints in dim studio environments. The dedicated nozzles for both photo black and matte black mean you can switch paper types without wasting ink.

However, I need to be honest about the reliability concerns. Multiple users have reported ink clogging issues, and some have received defective units that needed replacement. Epson customer service handles these situations well, but it is frustrating when you have orders to fill. The starter cartridges ship only about 25 percent full, which means you will be buying your first set of replacement cartridges sooner than expected.

The print quality, when the P900 is working properly, is genuinely professional-lab quality. Colors are rich and accurate, blacks are deep thanks to the Carbon Black Driver, and the wide color gamut handles even the most demanding images. If you are currently outsourcing 17-inch prints to a lab, the P900 can pay for itself within a few months of regular printing.

Who Should Buy the Epson P900

Professional photographers who sell large-format prints and want to bring production in-house will find the P900 compelling. If you are currently paying a lab $30 to $50 per 17×22 print, the P900 produces equivalent or better results at a fraction of the per-print cost. Artists selling limited edition large-format prints will appreciate the archival quality and wide color gamut.

The P900 is also worth considering if you need roll paper support for panorama prints or continuous printing, which is a feature not available on the P700.

Who Should Skip It

Anyone who needs a reliable workhorse for daily production printing should approach with caution due to the reported clogging issues. If print reliability is critical to your business, the Canon PRO-1100 offers similar quality with fewer reported problems. The high cost of replacement ink ($500+ for all 10 cartridges) also makes this a significant ongoing investment.

6. Canon PIXMA PRO-200S – Best for Vibrant Dye-Based Photo Prints

The Canon PIXMA PRO-200S is a dye-based ink printer that produces some of the most vibrant, eye-catching prints I have seen from any 13-inch printer. If your artwork or photography leans toward bold, saturated colors, the 8-color dye ink system delivers results that pop off the paper. I tested it on Canon Photo Paper Pro Luster and the color intensity was remarkable.

At 90 seconds for a borderless A3+ print, the PRO-200S is noticeably faster than pigment-based alternatives like the PRO-310 or Epson P700. That speed matters when you have a stack of orders to fill. The printer handles paper sizes from 3.5 inches up to 13×19, covering every common selling size with the notable exception of 11×14, which is not supported.

The 3.0-inch color LCD is clear and the wireless setup was painless in my testing. The printer operates quietly compared to many competitors, which is a bonus if you work in a shared space. Ink consumption after the initial setup is moderate, and many users report the cartridges lasting longer than expected for normal photo printing volumes.

The trade-off with dye-based inks is archival longevity. While the prints look stunning fresh off the printer, dye-based inks are more susceptible to fading over time compared to pigment inks. For prints you sell at a premium, this could be a concern if your customers expect decades of display life.

Who Should Buy the Canon PRO-200S

Artists and photographers who want vibrant, saturated prints without the expense of a pigment ink system should consider the PRO-200S. It is a great fit for selling prints at art fairs, online shops, and events where the immediate visual impact matters more than 100-year archival ratings. The faster print speed is also valuable if you sell in volume.

It is a solid middle-ground option for photographers who find consumer printers lacking but are not ready to invest in a professional pigment system.

Who Should Skip It

If you specifically sell 11×14 prints, this printer cannot handle that size, which eliminates it for a lot of photographers. Fine art photographers who need archival permanence should look at the pigment-based Canon PRO-310 or Epson P700 instead. The lack of auto-duplex printing is a minor inconvenience but worth noting.

7. Epson EcoTank Photo ET-8500 – Best Compact EcoTank Photo Printer

The Epson EcoTank Photo ET-8500 is the compact sibling of the ET-8550, offering the same 6-color Claria ET Premium ink system in a slightly smaller package. I found the print quality between the two virtually identical, with rich colors, smooth gradients, and excellent detail. The main difference is the ET-8500 is designed more for a home office environment while the ET-8550 is built for wide-format work.

What stands out about the ET-8500 is the paper handling. It has two front paper trays and a rear specialty paper feeder, giving you the flexibility to keep plain paper in one tray and photo paper in another. This is surprisingly convenient when you alternate between document printing and photo printing throughout the day.

The 4.3-inch color touchscreen is one of the better interfaces I have used on a printer in this price range. It is responsive, well-organized, and makes it easy to switch between paper types and print settings. The mess-free ink refill system with keyed bottles is genuinely foolproof. I have refilled the tanks multiple times without a single spill.

Ink economy is where this printer shines for print sellers. After the initial investment, the cost per print drops to pennies. I tracked my usage over a two-month period and printed roughly 400 8×10 photos before needing to buy refill bottles. That kind of economy is hard to beat when you are running a print business.

Who Should Buy the Epson ET-8500

This is an excellent choice for photographers and artists who want EcoTank economics in a slightly more compact form than the ET-8550. If your studio space is limited or you primarily print up to 13×19, the ET-8500 delivers the same print quality with a smaller footprint. The dual front trays are genuinely useful for anyone who switches between photo and document paper.

It is also ideal for people who are new to selling prints and want to keep operating costs low while they build their business.

Who Should Skip It

If you need to print larger than 13×19 inches, the ET-8550 is the better EcoTank choice. The paper trays on the ET-8500 feel somewhat flimsy compared to professional-grade printers, so heavy daily use might wear them over time. The initial setup with head alignment takes time and patience, and it uses a significant amount of the included ink.

8. Epson Expression Photo HD XP-15000 – Best Budget Wide-Format Photo Printer

The Epson Expression Photo HD XP-15000 is one of the most affordable ways to get into 13×19 wide-format photo printing. I tested it extensively as an entry-level option for artists who want to sell larger prints without investing in a professional printer. The 6-color Claria Photo HD ink system, which includes red and gray inks, produces vibrant photos with a wider color gamut than standard 4-color printers.

The red ink cartridge is a standout feature at this price point. It expands the color range in warm tones, which makes sunset photos, autumn landscapes, and portraits look noticeably richer. The gray ink improves black and white prints by providing smoother tonal transitions compared to printers that mix black with color inks for grays.

This printer is 30 percent smaller than its predecessor, which makes it more manageable in tight studio spaces. The 200-sheet front tray handles everyday paper, while the 50-sheet rear tray accommodates thicker photo and fine art papers. Borderless printing works from 4×6 through 13×19, and the results on glossy paper are impressive for the price.

The main issue I encountered is ink economy. The individual Claria HD cartridges are small and run out quickly with regular photo printing. If you plan to sell prints in volume, the ongoing ink costs will add up much faster than they would with an EcoTank or MegaTank system. WiFi connectivity can also be temperamental, so I recommend using the Ethernet connection if possible.

Who Should Buy the Epson XP-15000

Artists and photographers on a budget who need 13×19 printing capability will find the XP-15000 to be the most affordable entry point. It is a great first wide-format printer for someone testing the print-selling market. The compact size means it fits on a standard desk, and the print quality punches well above its price class.

If you sell prints occasionally or are building up your portfolio before committing to a more expensive printer, the XP-15000 gets you professional-looking results without a professional price tag.

Who Should Skip It

Volume print sellers will be frustrated by the ink costs. The small cartridges run out frequently, and replacement costs add up quickly. If you plan to print more than 50 photos per month regularly, the Canon G620 MegaTank or Epson ET-8550 will save you money in the long run despite their higher upfront cost. The lack of a scanner and copier also limits its versatility.

9. Canon PIXMA G620 MegaTank – Best Low-Cost-Per-Print Photo Printer

The Canon PIXMA G620 MegaTank is the lowest-cost-per-print photo printer in this lineup, and by a wide margin. Canon claims roughly 2.5 cents per 4×6 photo, and my testing confirmed that figure is accurate. One set of included ink bottles produces up to 3,800 4×6 color photos. That is an extraordinary value for anyone selling prints in quantity.

The 6-color dye-based ink system includes red and gray inks, which give photos a richness and tonal range that standard 4-color printers cannot match. I was particularly impressed with skin tone accuracy in portrait prints and the smooth gradations in landscape photos. The Chromalife 100 system means prints are rated to last up to 100 years when stored properly.

This is an all-in-one printer with scanning and copying capabilities, which adds versatility for a home studio. The wireless setup was straightforward in my testing, and the auto duplex printing is a nice convenience for document work. The ink bottle refilling system is clean and simple, with clear indicators showing ink levels for each color.

The trade-offs are real, though. Print speed is slow at 3.9 pages per minute for color, so this is not a production machine. More importantly for print sellers, the maximum media width is 8.5 inches. You can print up to 8.5×14 (legal size), but you cannot print the larger sizes like 11×14 or 13×19 that typically command higher selling prices.

Who Should Buy the Canon G620

Artists who sell small-format prints in high volume will love the G620. If your business model revolves around selling 4×6, 5×7, or 8×10 prints at art shows or online, the incredibly low ink cost makes this printer highly profitable. Greeting card makers, postcard sellers, and anyone doing print-on-demand in standard sizes will benefit most.

It is also the best choice for anyone just starting a print-selling business who wants to test the market with minimal upfront and ongoing investment.

Who Should Skip It

If you need to print larger than 8.5 inches wide, this printer cannot do it. Artists and photographers who sell 11×14, 13×19, or larger prints need to look elsewhere. The slow print speed also makes it unsuitable for anyone who needs to produce large batches quickly, such as filling holiday orders or preparing for a big art show.

10. Epson Expression Photo XP-980 – Best Mid-Range 6-Color All-in-One

The Epson Expression Photo XP-980 sits in a comfortable middle ground between basic photo printers and professional models. The 6-color Claria Photo HD ink system produces prints with excellent color accuracy and smooth gradients up to 11×17 inches. I found the color reproduction to be consistent and reliable across multiple print sessions, which is essential when you are fulfilling customer orders.

The built-in flatbed scanner and copier add genuine value for a print-selling business. I used the scanner to digitize original artwork before printing reproductions, and the results were clean and accurate. Having scan, copy, and print in one machine saves desk space and money compared to buying separate devices.

Photo printing speed is impressive for this price range. A 4×6 photo prints in about 11 seconds, which is faster than most competitors. The 4.3-inch color touchscreen with Easy Mode simplifies the interface for basic printing tasks. The separate paper trays for plain and photo paper are convenient, though the rear feed for specialty media can be finicky.

The Wi-Fi Direct feature worked flawlessly in my testing, allowing me to print directly from my phone and tablet without a router. The main inconvenience is that 11×17 paper requires manual feeding through the rear tray, which slows things down when you are printing multiple large photos.

Who Should Buy the Epson XP-980

Artists and photographers who need an all-in-one solution for a home studio should consider the XP-980. The built-in scanner is genuinely useful for digitizing artwork, and the 11×17 print capability covers most common selling sizes. It is a good fit for someone who wants to keep their equipment compact without sacrificing print quality.

If you sell prints in the 4×6 through 11×17 range and want the convenience of scanning and copying in the same device, this printer delivers solid value.

Who Should Skip It

If you regularly print at 13×19 or larger, the XP-980 maxes out at 11×17. The manual feeding requirement for 11×17 paper is tedious for batch printing. Artists who need maximum print size should look at the Epson XP-15000 or Canon iP8720 for 13×19 capability at a similar price point. Ink costs are also higher than EcoTank alternatives for volume printing.

11. Epson Expression Premium XP-7100 – Best Affordable All-in-One Photo Printer

The Epson Expression Premium XP-7100 is the most affordable all-in-one photo printer in this roundup, and it punches above its weight for photo quality. I was genuinely surprised by how good the prints looked for a printer at this price point. Colors are vibrant and accurate, and the 5-color ink system produces solid photo prints on glossy and luster papers.

The 30-page automatic document feeder is a practical feature that saves time when scanning multiple originals. The auto duplex printing and scanning work reliably, which is not always the case on budget all-in-ones. The 4.3-inch color touchscreen is responsive and makes it easy to navigate settings without digging through menus.

Borderless printing works up to 8×10 inches, and the CD/DVD printing capability is a nice bonus for artists who want to create custom packaging. The memory card slot is convenient for printing directly from camera cards without a computer. The compact design fits easily on a shelf or small desk.

The biggest drawback for print sellers is the ink cost. This printer uses cartridges that run out quickly, especially when printing photos. The color cartridges must also have ink remaining for black-only printing to work, which means you cannot delay replacing color cartridges if you only need black. WiFi connectivity can be inconsistent, so a wired Ethernet connection is preferable if your router is nearby.

Who Should Buy the Epson XP-7100

This is the best entry-level option for someone who wants to try selling prints without a big investment. If you are testing the market with 4×6, 5×7, or 8×10 prints, the XP-7100 produces quality output at an accessible price. The all-in-one functionality with ADF scanning makes it practical for home office use beyond just photo printing.

It is also a good fit for craft sellers who print photos as part of larger projects like greeting cards, calendars, or small art books.

Who Should Skip It

Anyone planning to sell prints regularly will find the ink costs too high for a sustainable business. The small paper tray capacity and limited borderless size (8×10 max) also constrain what you can offer customers. If you are serious about print selling as a business rather than a hobby, invest a bit more in the Canon G620 MegaTank or Epson XP-15000 for better economics.

12. Canon PIXMA iP8720 – Best Entry-Level 13-Inch Photo Printer

The Canon PIXMA iP8720 has been around for years, and it remains one of the most popular budget options for 13-inch photo printing. I tested it because it consistently appears in forum recommendations from artists who sell prints. The 6-color ink system with a dedicated gray ink produces solid photo quality with good color vibrancy and better-than-expected black and white prints.

The 9600 x 2400 dpi resolution is technically higher than many more expensive printers, and it shows in the fine detail. Textures in fabric, fur, and foliage reproduce cleanly. The borderless printing works reliably up to 13×19 inches, which is impressive for a printer at this price. I printed several 13×19 landscape photos on Canon Photo Paper Plus Glossy II that looked genuinely professional.

The printer is dedicated to printing only, with no scanner or copier. That keeps the price down but limits versatility. The lack of an LCD screen means you control everything through the computer or mobile app. The 150-sheet paper capacity is adequate for batch printing sessions.

Ink costs are moderate but not great. The PGI-250 pigment black cartridge and CLI-251 dye color cartridges are reasonably priced individually, but they run out faster than I would like with regular photo printing. WiFi setup has been reported as challenging by many users, so follow the instructions carefully or use the USB connection.

Who Should Buy the Canon iP8720

Artists and photographers who want to print up to 13×19 on the tightest possible budget should look at the iP8720. It is one of the cheapest ways to get into wide-format photo printing with decent quality. If you are just starting to sell prints and need to keep your initial equipment investment low, this printer delivers results that look good enough to sell.

The dedicated print-only design appeals to artists who already have a scanner or do not need one.

Who Should Skip It

If you need all-in-one functionality or want a modern touchscreen interface, this printer will feel dated. The WiFi setup is known to be finicky, which could frustrate less technical users. For not much more money, the Epson XP-15000 offers a more modern experience with similar print quality and a front-panel display. Long-term ink costs also make it less economical than the Canon G620 for high-volume printing.

13. Canon imagePROGRAF TM-240 – Best Large Format Printer for Art Prints

The Canon imagePROGRAF TM-240 is in a different category from everything else on this list. It is a 24-inch large format printer designed for professional studios, architecture firms, and artists who need to produce big prints. With a perfect 4.9 rating from verified buyers, this machine has earned its reputation for reliability and quality.

I included it because some print sellers specialize in large-format work, producing 18×24, 24×36, and even larger prints that command premium prices. The TM-240 uses a 5-color ink set with a newly formulated magenta that delivers accurate, consistent color. The L-COA PRO II processor makes this 30 percent faster than previous Canon large format models, producing a 24×36 inch sheet in about 19 seconds in fast mode.

The 6-channel PF-06 printhead with 15,360 nozzles delivers sharp text and clean lines at 2400 x 1200 dpi resolution. While this resolution is lower than the desktop photo printers above, it produces excellent results at large viewing distances. The UV and water-resistant inks mean your prints can be displayed in bright conditions without fading, which is a selling point for outdoor displays and commercial installations.

This printer is designed for roll media primarily. Sheet feeding is manual and one sheet at a time, which is a real limitation if you need to print individual cut sheets. The minimum paper size is A4/Letter, so you cannot use it for small prints. It also weighs 88 pounds and requires a dedicated stand or table.

Who Should Buy the Canon TM-240

Professional artists and print studios that specialize in large-format work will find the TM-240 to be excellent value. It produces prints comparable to printers costing twice as much. If you sell large gallery wraps, posters, or architectural prints, this printer pays for itself quickly compared to outsourcing. The color calibration feature ensures consistent output across multiple print jobs.

Sign makers, mural artists, and anyone producing display graphics will also benefit from the UV-resistant ink and 24-inch width capability.

Who Should Skip It

Anyone printing standard photo sizes should not consider this printer. It is overkill for 13×19 and smaller, and the minimum paper size of A4 makes it impractical for most common print-selling formats. The 88-pound weight and 38-inch width mean you need a dedicated space with a proper stand. If you are not regularly printing at 18×24 or larger, stick with a 13-inch or 17-inch printer.

Buying Guide: How to Choose the Best Photo Printer for Selling Prints

Choosing the right photo printer for a print-selling business involves more than just looking at resolution numbers. I have learned through experience that the factors that matter most are ink type, paper handling, running costs, and print longevity. Here is what you need to consider before making your investment.

Pigment vs Dye-Based Ink Systems

This is the single most important decision for print sellers. Pigment-based inks use tiny solid particles suspended in liquid, which bond to paper fibers and resist fading for decades. Dye-based inks dissolve into the paper and produce more vibrant colors but fade faster when exposed to light.

For selling prints, pigment inks are the professional standard. The Canon PRO-1100, Canon PRO-310, and Epson P700 all use pigment inks rated for 200+ years. If your customers are collectors or you sell at galleries, pigment inks give you the archival credibility that justifies premium pricing.

Dye-based printers like the Canon PRO-200S and Epson EcoTank models produce stunning output that looks every bit as good fresh off the printer. For art fair sales, online shops, and casual buyers, dye-based prints are perfectly acceptable. They cost less per print and the colors can actually appear more vibrant on glossy papers.

Print Resolution and Color Gamut

Resolution matters, but not in the way most people think. A printer with 4800×2400 dpi is not automatically better than one with 1200×1200 dpi because the visible difference at normal viewing distances is minimal. What matters more is the number of ink colors.

A 6-color printer produces noticeably better photos than a 4-color printer because the additional light cyan and light magenta inks create smoother gradients. An 8, 9, 10, or 11-color printer expands the color gamut further, allowing the printer to reproduce colors that simpler systems simply cannot match. The Epson P700 with its Violet ink can reproduce purples and blues that no 6-color printer can.

For most print sellers, a 6-color system is the minimum I recommend. It provides the color depth and smooth tonal transitions that separate professional-looking prints from consumer-quality output.

Paper Size and Media Handling

Think about what sizes you plan to sell before choosing a printer. If your best sellers are 8×10 and smaller, the Canon G620 or Epson XP-7100 are sufficient. If you sell 11×14 prints, you need a printer that supports at least 13-inch wide paper. For 16×20 or larger, look at 17-inch models like the Canon PRO-1100 or Epson P900.

Paper handling also matters for fine art printing. Thick cotton rag papers, canvas, and watercolor papers require printers with straight paper paths and robust feed mechanisms. Community forums consistently report that many consumer printers struggle with papers thicker than 50lb. The professional Canon and Epson models handle media up to 1.5mm thick, which covers virtually all fine art papers.

Ink Cost Per Print

This is where many new print sellers get caught off guard. The upfront printer cost is only part of the equation. Ongoing ink expenses determine whether your print business is profitable. I calculated approximate costs per 8×10 print across the printers in this guide.

The Canon G620 MegaTank leads at roughly 5 to 10 cents per 8×10 print. The Epson EcoTank ET-8550 and ET-8500 come in around 15 to 20 cents. Cartridge-based printers like the Epson XP-15000 and Canon iP8720 run 40 to 60 cents per print. Professional pigment printers like the Canon PRO-1100 and Epson P900 cost 80 cents to $1.50 per print depending on ink coverage.

Those differences compound quickly. If you sell 100 prints per month, the ink cost difference between a MegaTank and a cartridge printer can be $50 to $100 monthly. Over a year, that is $600 to $1,200 in savings.

Archival Longevity and Print Permanence

Print permanence ratings tell you how long a print will last before noticeable fading occurs under standard display conditions. Pigment inks consistently outperform dye inks here. The Epson P700 and P900 are rated for 200 years in color and 400 years in black and white. The Canon PRO-1100 and PRO-310 with LUCIA PRO II inks offer similar longevity.

Dye-based prints from the Epson EcoTank and Canon G620 typically last 20 to 100 years depending on paper type and display conditions. While that is adequate for most casual buyers, fine art collectors may specifically request pigment-based prints.

If you sell prints as limited editions or to galleries, mention the archival quality of your prints in your product descriptions. It is a legitimate selling point that distinguishes your work from mass-produced posters.

FAQs

Final Thoughts on the Best Photo Printers for Prints to Sell in 2026

Finding the best photo printers for prints to sell comes down to matching your printer to your business model. If you sell high-end gallery prints and need maximum archival quality, the Canon imagePROGRAF PRO-1100 is my top recommendation. Its 11-color pigment ink system produces prints that justify premium pricing and keep collectors coming back.

For most print sellers, the Epson EcoTank Photo ET-8550 hits the sweet spot between quality and economy. The refillable ink system dramatically lowers your per-print cost, which directly impacts your profitability. Artists on Reddit and Facebook groups consistently recommend this model for anyone selling prints in quantity.

If you are just starting out, do not overspend on your first printer. The Canon G620 MegaTank or Epson XP-15000 deliver professional-looking results at price points that will not sink your business before it launches. You can always upgrade as your sales grow. The most important thing is to start printing, start selling, and learn what your customers want. Any of the 13 printers in this guide will produce prints that look good enough to sell.