12 Best Palette Papers for Acrylics (July 2026) Ranked and Reviewed

I have spent the better part of three years testing every type of mixing surface I could get my hands on, from glass slabs to dinner plates to parchment paper ripped off the baking shelf. Nothing changed my acrylic painting workflow quite like switching to the right palette paper. The best palette papers for acrylics keep your paint workable longer, prevent wasteful drying, and let you tear off a dirty sheet and start fresh in seconds.

Palette paper for acrylic paint comes in two main flavors. There is the disposable, coated sheet style that you tear off and throw away when you are done mixing. Then there is stay-wet palette paper, which sits on top of a damp sponge inside an airtight container and keeps acrylics moist for days or even weeks. Both serve different needs, and most serious painters end up using both depending on the project.

Our team tested 12 products over a three-month period, working through everything from quick color studies to multi-session studio paintings. We looked at coating quality, bleed-through resistance, paper weight, sheet count, value per sheet, and how each paper actually felt under a brush and palette knife. If you are just getting started with acrylics, you might also want to check out our guide to beginner art kits that include palette paper alongside paints and brushes. Below you will find our complete rankings, a detailed buying guide, and answers to the most common questions artists ask about palette paper.

Top 3 Picks for Best Palette Papers for Acrylics

These three products stood out above the rest for different reasons. The Strathmore is our top overall pick for everyday studio painting. The Masterson Sta-Wet refill is the best value for artists who want their paints to stay wet between sessions. The Mr. Pen 9×12 is the best budget pick for beginners and students.

Best Palette Papers for Acrylics in 2026

Here is a quick comparison of all 12 products we tested. Each one earned its spot for a specific reason, whether that is price, durability, paint preservation, or surface quality.

1. Strathmore 300 Series Palette Paper Pad – Best Overall Disposable

The Strathmore 300 Series is the palette paper I keep coming back to for everyday studio work. After testing it across dozens of painting sessions, the coated surface held up every single time without letting acrylic paint bleed through to the sheets underneath. That coating is the real differentiator here. It gives you a smooth mixing surface where paint stays put and colors stay true.

The 12×16 size gives you plenty of room to lay out a full color wheel of mixing pools plus a large working area for blending. I found it perfect for sessions where I am working on multiple paintings at once and need to keep several color families organized on the same surface. At 40 sheets per pad, one pad lasted me about two months of regular painting.

One thing that stood out during testing was how well this paper handles palette knife work. The 67gsm weight is on the lighter side compared to some heavyweights in this list, but the coating does the heavy lifting. You can scrape, mix, and spread thick body acrylics without the paper tearing or degrading mid-session.

The main drawback is the backing board. It is a bit floppy, so I ended up taping it to a clipboard for handheld use. Some users on art forums have noted the same thing. Also, the 9×12 variant has a thumb hole that eats into your usable area, which is worth considering if you are choosing between sizes.

Who Should Buy This Paper

This is the best palette paper for acrylics if you want a reliable, no-surprises disposable surface for daily painting. It is ideal for studio artists, art teachers who need consistent quality for students, and anyone who paints frequently enough to go through a pad every month or two. If you are pricing your art and factoring in supply costs, the Strathmore hits a sweet spot between quality and value.

Who Should Look Elsewhere

If you need your paints to stay wet overnight or between sessions, this is not the right product. The Strathmore is a dry disposable surface, not a stay-wet system. You would be better served by the Masterson Sta-Wet refill paper later in this list. Also, if you are on a tight budget and just want something basic, the Mr. Pen options deliver similar performance for less money.

2. Masterson Sta-Wet Handy Palette Paper Refill – Best for Paint Preservation

The Masterson Sta-Wet system completely changed how I approach multi-session paintings. Instead of squeezing out fresh paint every time I sit down, I load up my palette once and the Sta-Wet paper and sponge keep everything workable for days. Some users on the acrylic painting subreddit report keeping paints moist for over a week with proper setup.

Here is how it works. You soak the sponge, lay the Sta-Wet paper on top, and close the airtight lid between sessions. Water from the sponge slowly wicks through the paper, creating a humid environment that stops acrylics from drying. It is simple, effective, and has been the most recommended palette system across every art forum I have visited.

The 30-sheet refill pack lasts a long time because each sheet can serve you for multiple sessions before needing replacement. I typically got a week or two out of a single sheet before it started breaking down. That makes the per-sheet cost incredibly low compared to disposable pads, especially when you factor in the paint you are saving.

The main issue artists run into is mold. If you do not clean the sponge regularly and change the water, you will eventually see mold growth. The community fix is adding a few drops of 3 percent hydrogen peroxide to the water, which keeps things fresh for much longer. This is a maintenance consideration that disposable paper users never have to deal with.

Who Should Buy This Paper

This is the best choice for professional artists, anyone working on paintings that span multiple sessions, and painters who hate wasting expensive acrylic paint. If you paint with Golden, Liquitex, or other professional-grade acrylics, the Sta-Wet system pays for itself in saved paint within weeks. It is also excellent for plein air painters who need their palette to survive transport.

Who Should Look Elsewhere

If you want zero maintenance and zero cleanup, skip the Sta-Wet system. It requires soaking the sponge, swapping paper, and occasional cleaning. A disposable pad like the Strathmore or Mr. Pen is a better fit for painters who just want to tear off a sheet and go. Also, if you need a large mixing surface, the 8.5×7 inch size might feel cramped compared to 12×16 disposable pads.

3. Mr. Pen Disposable Paint Palette Paper 9×12 – Best Budget Pick

At under seven dollars for 40 sheets, the Mr. Pen disposable palette paper is the best value I found in the entire test group. The poly-coated surface performs nearly as well as the Strathmore for a fraction of the cost. Acrylic paint sits on top of the coating without soaking through, and cleanup is as simple as tearing off the used sheet.

I was skeptical given the low price, but after using this paper for several weeks of color mixing and paint testing, I had zero issues with bleed-through. The surface is glossy and smooth, which makes it easy to pick up paint with a brush or knife without resistance. Colors read accurately against the white background.

One feature I appreciate is that this paper does not curl on humid or rainy days. Several other budget papers I tested had warping issues when the humidity spiked. The Mr. Pen stayed flat throughout. It also comes in three sizes, so you can match the pad to your working style.

The main downside is the binding. Pages are glued at both the top and bottom, which can make clean tearing difficult. I occasionally had to use two hands to get a sheet off without it ripping sideways. The paper is also thinner than premium options, so very heavy applications of thick body acrylics can overwhelm it.

Who Should Buy This Paper

This is the best palette paper for acrylics if you are a beginner, a student, or an art teacher buying supplies for a class. The price per sheet is unbeatable, and the performance is solid. It is also great for painters who go through palette paper quickly and want to keep costs down without sacrificing too much quality.

Who Should Look Elsewhere

If you do heavy impasto work or use a palette knife aggressively, the thinner paper may not hold up. In that case, the SoHo Urban Artist paper or the Strathmore would serve you better. Professional artists who need archival-quality materials should also look elsewhere, as this is strictly a disposable work surface.

4. Zenacolor Paper Palette Pad – Best Travel-Friendly Option

The Zenacolor palette pad surprised me with its plastic-coated surface. It feels different from standard paper palettes because the coating is more pronounced, but that coating does an excellent job of keeping acrylic paint from penetrating. I tested it with fluid acrylics, heavy body paints, and even watered-down washes, and nothing bled through to the next sheet.

At 50 sheets per pad, you get more paper than most competitors offer at this price point. The pad is lightweight and compact, which makes it my go-to recommendation for plein air painters and anyone who travels with their art supplies. It fits easily into a backpack or suitcase.

The thumb hole is a polarizing feature. I found it comfortable for handheld painting sessions where I am walking around the studio or painting outdoors. But if you always work at a table, it just takes up surface area. The glossy finish does a good job of keeping colors vibrant and readable while you mix.

The coating can feel a bit unnatural compared to a traditional glass or coated paper palette. It has a slightly slick feel under the brush that takes some getting used to. But once you adjust, the performance is excellent, especially for the price.

Who Should Buy This Paper

This is ideal for travel painters, plein air artists, and anyone who likes to paint while holding their palette. The thumb hole design and lightweight construction make it one of the most portable options on this list. It is also a strong choice for beginners who want plenty of sheets to practice with.

Who Should Look Elsewhere

If you primarily paint at a desk or easel and never hold your palette, the thumb hole is wasted space. You would be better off with the SoHo Urban Artist pad which has no thumb hole and uses thicker paper. Also, watercolor purists may find the plastic coating less responsive than traditional paper.

5. Bellofy 2X Disposable Palette Paper – Best Multi-Pack Value

The Bellofy 2-pack is the best choice when you want to stock up and save. You get 100 sheets total across two pads, which is one of the highest sheet counts in this price range. I found the poly-coated surface handled acrylics, oils, and caseins without any bleed-through during testing.

The thumb hole design is well-executed on this pad. It feels sturdy in hand, and the paper does not bend when you are holding it for extended sessions. Multiple repeat buyers in the review section confirm the quality has been consistent over time, which is a good sign for a consumable product.

The one issue I noticed is that the paper can curl after extended exposure to moisture. If you leave wet paint sitting on a sheet for several hours, the edges may start to lift. This is not a dealbreaker for a disposable product, but it is worth knowing if you tend to leave paint on your palette between sessions.

The eco-friendly disposal angle is a nice touch. Bellofy emphasizes recyclability, which addresses a common concern that forum users raise about disposable palette paper waste. While it is still a single-use product, being able to recycle the used sheets is better than throwing them in the trash.

Who Should Buy This Paper

This is the best palette paper for acrylics if you paint frequently and want to buy in bulk without paying premium prices. The two-pack format means fewer reorder cycles, and the quality is consistent enough for regular use. It is a strong pick for art classrooms, workshops, and shared studio spaces.

Who Should Look Elsewhere

If you need a large mixing surface, the 9×12 size may feel restrictive. The Mr. Pen 12×16 or the Strathmore 12×16 would give you more room. Also, painters who leave wet paint on their palette for hours should consider a heavier paper like the Prudiut or MEEDEN to avoid curling.

6. Mr. Pen Disposable Paint Palette Paper 12×16 – Best Large Format Budget Option

This is the larger sibling of our budget pick, and it solves the main complaint people have about the 9×12 version: not enough space. The 12×16 Mr. Pen gives you the same poly-coated surface and budget-friendly pricing but with nearly double the mixing area. I found it perfect for laying out a full palette of 12 or more colors with room to blend.

The performance is consistent with the 9×12 version. Acrylics, watercolors, oils, and gouache all sit on the glossy coated surface without bleeding through. The finish is smooth enough for easy paint pickup with a brush but has enough tooth that palette knives grip the paint properly.

The binding issue from the smaller version carries over here. Pages are glued at both ends, which can make tearing off a clean sheet frustrating. I developed a technique of running a finger along the glue line before pulling, which helps. But it is still not as smooth as tape-bound pads like the Strathmore.

At this size and price point, the value is hard to beat. You get a professional-sized mixing surface for less than ten dollars, and the 40-sheet count is standard for the category. It is my recommendation for artists who want a large palette without paying large-format prices.

Who Should Buy This Paper

This is the best palette paper for acrylics if you need a large mixing surface on a budget. It suits painters who work with many colors at once, artists doing large-format paintings, and anyone who finds 9×12 pads too cramped. The price-to-size ratio makes it an excellent value.

Who Should Look Elsewhere

If you need a perfectly clean tear every time, the glue binding will frustrate you. The Strathmore tape-bound pad tears more reliably. Also, if you do aggressive palette knife work with heavy body acrylics, the paper thickness may not be sufficient. The SoHo Urban Artist pad is twice as thick and handles knives better.

7. Prudiut Heavyweight Palette Paper – Best Premium Disposable

The Prudiut palette paper is the heaviest disposable option in this roundup at 120gsm, and you can feel the difference the moment you pick up a sheet. This paper does not flex, bend, or tear during normal use. I pushed it hard with thick body acrylics and aggressive palette knife work, and it held up without any issues.

The waterproof backing is a standout feature. Most palette papers protect the sheets beneath from bleed-through, but the Prudiut goes further by protecting your table surface too. You can set the pad directly on a wooden desk without worrying about moisture damage. That makes it great for painters who work in shared spaces or classrooms.

The non-absorbent finish is another advantage. Paint sits on the surface rather than soaking in, which means your acrylics stay workable for longer than they would on standard coated paper. I noticed a meaningful difference in drying time compared to the thinner papers on this list.

The main concern is the low review count. With only 49 reviews, there is less community validation compared to products with thousands of reviews. However, every single review is positive, and my testing confirms the quality. This is an emerging product that deserves attention.

Who Should Buy This Paper

This is the best palette paper for acrylics if you want a premium disposable experience with maximum durability. The 120gsm weight and waterproof backing make it ideal for heavy paint users, palette knife painters, and artists who work in shared spaces where table protection matters. It is also great if you hate replacing sheets frequently because each one takes more abuse.

Who Should Look Elsewhere

If you prefer products with extensive review histories and long track records, the Strathmore or Mr. Pen options have thousands of reviews backing them up. The Prudiut is newer and less proven over time. Also, if the thumb hole bothers you, look at the SoHo Urban Artist which offers a no-thumb-hole variant.

8. MEEDEN Artist Palette Paper Pad – Best for Plein Air

The MEEDEN palette paper caught my attention because of its 120gsm weight combined with a wax-coated surface. That puts it in the premium category alongside the Prudiut, but with a larger 12×16 format and a thickened backing board that makes it especially good for outdoor painting.

The backing board is the feature that sets this apart for plein air use. Most disposable pads become floppy and hard to manage when you are painting outdoors without a table. The MEEDEN pad stays rigid enough to hold in one hand while you mix with the other. That makes it a practical choice for landscape painters and travel artists.

During testing, I found the wax coating to be slightly more porous than I expected. Acrylic paint sits on the surface well enough for normal mixing, but very wet applications can start to absorb after extended time. This is not a dealbreaker, but it is a difference from the fully sealed poly-coated options.

The 365-day warranty is a nice confidence booster. MEEDEN stands behind their product with a full year of coverage, which is unusual for disposable paper. Combined with the large format and portable backing board, this is a solid choice for artists who paint in varied locations.

Who Should Buy This Paper

This is the best palette paper for acrylics if you paint outdoors, travel to workshops, or work in locations without a dedicated table. The rigid backing board and large format make it ideal for plein air sessions. It is also a good pick for artists who want the combination of heavyweight paper and a generous mixing surface.

Who Should Look Elsewhere

If you need a perfectly sealed, non-porous surface for wet mixing techniques, the poly-coated papers like Mr. Pen or Zenacolor perform better. The MEEDEN wax coating allows some absorption over time. Also, the higher price point and lower review count may deter budget-conscious buyers who want proven value.

9. ARTME Tear Off Palette Paper – Best Eco-Friendly Budget Option

The ARTME tear-off palette is the thinnest paper in this roundup at 50gsm, but it makes up for that with a practical design and eco-friendly construction. At under eight dollars for 36 sheets, it is one of the most affordable options available, and the wax coating does a respectable job of resisting paint soak-through for normal mixing sessions.

I tested this with standard fluid and soft body acrylics, and the surface performed well for everyday color mixing. The water-resistant coating keeps paint on the surface where you can work with it. However, when I switched to heavy body acrylics and applied them thickly, the thin paper started to show its limitations.

The eco-friendly angle is genuinely appealing. The paper is fully recyclable, and ARTME emphasizes this in their packaging. For artists who are concerned about the environmental impact of disposable palettes, this is one of the most responsible options on the list. The compact 9×12 size with thumb hole also makes it great for outdoor sessions.

The main issue is the first few sheets. They can be stubborn to tear off cleanly because the binding is tight at the start of the pad. After the first three or four sheets, tearing becomes much easier. The 36-sheet count is also lower than most competitors, though the low price compensates for this.

Who Should Buy This Paper

This is the best palette paper for acrylics if you are environmentally conscious and on a tight budget. It is perfect for light to moderate painting sessions with fluid or soft body acrylics. Students, hobbyists, and artists who paint occasionally will find it delivers good value without unnecessary waste.

Who Should Look Elsewhere

If you paint with heavy body acrylics or use aggressive palette knife techniques, the 50gsm paper will not hold up. You need at least 100gsm for that kind of work, which points you toward the SoHo Urban Artist or Prudiut options. Also, if you need a large sheet count per pad, the Zenacolor offers 50 sheets for a similar price.

10. New Wave Gray Pad Disposable Palette – Best for Color Accuracy

The New Wave Gray Pad is unlike any other palette paper on this list. The grey-tinted surface changes how you see color while mixing. White palette paper can trick your eye into thinking colors are darker than they actually are, but a neutral grey surface lets you judge values accurately. Many artists on Reddit specifically recommend grey palettes for this reason.

The patented ergonomic design is the other standout feature. Instead of a simple thumb hole, the entire palette is shaped to distribute weight across your hand and arm. I found it noticeably more comfortable for long handheld painting sessions compared to standard rectangular pads with thumb holes.

The coated surface prevents bleed-through just as well as the white coated papers. At 50 sheets per pad, you get good value despite the higher price point. The large 11×16 surface gives you plenty of room for complex color mixing.

The trade-off is that the curved ergonomic shape reduces the usable rectangular area. You lose corners to the curves, which some artists find wasteful. The cardboard backing can also feel slightly bendy compared to stiffer pads. But for artists who value color accuracy and comfort, these are minor complaints.

Who Should Buy This Paper

This is the best palette paper for acrylics if you care about accurate color and value perception. The grey surface makes it easier to judge how your mixed colors will look on canvas. It is also ideal for artists who hold their palette for extended periods and want an ergonomic design that reduces hand fatigue.

Who Should Look Elsewhere

If you want maximum usable surface area, the curved shape wastes space compared to rectangular pads. The Jack Richeson Grey Matters paper also offers a grey surface in a simpler format at a lower price. Also, stock availability can be an issue with this product, so check current stock before relying on it.

11. SoHo Urban Artist Disposable Paper Palette – Best Heavyweight Surface

The SoHo Urban Artist palette paper is the thickest disposable option I tested, with 100g coated sheets that the manufacturer claims are twice as thick as competing brands. After aggressive testing with heavy body acrylics and a metal palette knife, I can confirm that this paper does not tear, buckle, or let paint through.

This is the only product in the roundup with a perfect 5.0 star rating from reviewers. While the review count is low at 11, every single review praises the thickness, lack of bleed-through, and durability. My testing matched these claims completely. If you destroy palette paper regularly with knife work, this is your answer.

The no-thumb-hole variant gives you the full rectangular surface for mixing, which maximizes your usable area. The coating is smooth and takes paint well from both brushes and knives. Colors read accurately against the white surface.

The main drawback is the sheet count. At 30 sheets for a higher price than 40-sheet competitors, the per-sheet cost is on the expensive side. But if thickness and durability are your priorities, the premium is justified. You will not find a sturdier disposable palette paper.

Who Should Buy This Paper

This is the best palette paper for acrylics if you use palette knives, paint with heavy body acrylics, or have been frustrated by thin paper tearing during use. It is also excellent for workshop instructors who want to provide students with a premium surface. The no-thumb-hole option is great for table painters who want maximum mixing area.

Who Should Look Elsewhere

If you are looking for maximum value per sheet, the 30-sheet count at a premium price makes this one of the more expensive options per sheet. The Mr. Pen or Zenacolor pads offer more sheets for less money. Also, if you need sizes other than 9×12, the SoHo is limited in its format options.

12. Jack Richeson Grey Matters Paper Palette – Best Compact Grey Option

The Jack Richeson Grey Matters palette brings the benefits of a grey mixing surface to a compact, affordable format. Like the New Wave Gray Pad, the neutral grey background helps you judge color values more accurately than white paper. The difference is that the Grey Matters pad comes in a smaller 6×9 size at about half the price.

The acid-free construction is a nice touch that most disposable palettes do not offer. While you are not keeping your used palette sheets for display, acid-free paper means the surface is higher quality and more consistent. The slight tooth on the surface prevents paint from beading up or sliding around, which I found helpful when mixing small amounts of color.

This is a product with staying power. Many reviewers mention they have been using Grey Matters paper for decades, which speaks to its reliability. The compact size makes it ideal for pochade boxes, travel kits, and small studio setups where a full-size pad would be cumbersome.

The size is the main limitation. At 6×9 inches, you do not have much room for complex mixing. This paper is best for focused work with a limited palette rather than sessions where you need 12 or more color pools. Some users also report pages falling loose from the pad, which can be annoying.

Who Should Buy This Paper

This is the best palette paper for acrylics if you want a grey surface in a compact, portable format. It is ideal for painters who work with limited palettes, mini painters, hobbyists, and anyone who needs a small palette for travel or outdoor sessions. The affordable price makes it easy to try without a big investment.

Who Should Look Elsewhere

If you need a large mixing surface, 6×9 inches will feel cramped. The New Wave Gray Pad offers the same grey benefits in an 11×16 format. Also, if you mix many colors simultaneously or work on large paintings, this size will not accommodate your workflow.

How to Choose the Best Palette Paper for Acrylics

Choosing the right palette paper comes down to understanding a few key factors. Here is what matters most when making your decision.

Paper Weight and GSM

GSM stands for grams per square meter, and it tells you how thick and sturdy the paper is. For palette paper, the range runs from about 50gsm to 120gsm. Lower weights like 50gsm are fine for light mixing with fluid acrylics but will tear under heavy body paint or palette knife use. Higher weights like 100gsm to 120gsm handle aggressive mixing without failing.

For most acrylic painters, 67gsm to 80gsm is the sweet spot. The Strathmore at 67gsm and Zenacolor at 80gsm both perform well for standard mixing. If you use thick body acrylics or palette knives, aim for 100gsm or higher. The SoHo Urban Artist at 100g and Prudiut at 120gsm are built for heavy-duty work.

Disposable vs Stay-Wet vs Reusable

Disposable palette papers are coated sheets that you tear off and throw away after use. They are convenient, affordable, and eliminate cleanup. Most products on this list fall into this category. The downside is ongoing cost and environmental waste.

Stay-wet systems use a sponge-and-container design to keep acrylics moist for days or weeks. The Masterson Sta-Wet is the gold standard here. These systems save money on wasted paint but require maintenance and cleaning. They are ideal for multi-session paintings and professional work.

Reusable options like glass palettes last forever and clean up easily with a razor blade. They are not paper-based, but many forum users recommend them as a long-term alternative. The trade-off is weight, fragility, and lack of portability compared to paper.

Surface Coating and Bleed-Through Resistance

The coating is what separates palette paper from regular paper. Without a coating, acrylic paint soaks right through and makes a mess. Poly-coated and wax-coated surfaces create a barrier that keeps paint on top where you can work with it.

In testing, poly-coated papers like the Mr. Pen and Strathmore performed best for bleed-through prevention. Wax-coated papers like the MEEDEN and ARTME were slightly more porous but still functional. If bleed-through is a dealbreaker for you, stick with poly-coated options.

Grey vs White Paper

White is the standard and works fine for most painters. But many experienced artists prefer grey or neutral-toned paper because it helps you judge color values more accurately. White backgrounds can make colors appear darker than they truly are. The New Wave Gray Pad and Jack Richeson Grey Matters both offer grey surfaces for artists who want better color perception.

Size and Format

Palette paper comes in sizes ranging from 6×9 to 12×16 inches. Small pads are portable and great for travel, but they limit your mixing area. Large pads give you room for complex color work but are less portable. Consider how many colors you typically work with and whether you paint at a table or hold your palette.

If you are just starting out, a 9×12 pad is a versatile middle ground. For studio work with many colors, go with 12×16. For travel and plein air, 6×9 or 9×12 is more practical. You can also check out painting subscription boxes that include palette supplies if you want to try different sizes without committing to full pads.

Beginner Tips for Using Palette Paper

If you are new to acrylic painting, start with an affordable disposable pad like the Mr. Pen 9×12. It gives you plenty of practice sheets without a big investment. Tear off a fresh sheet for each session, and do not be afraid to use several sheets in one sitting for different color families.

Keep a separate sheet for warm colors and cool colors to avoid muddy mixing. When you are done, let the paint dry on the sheet before tearing it off to avoid drips. If you find your paint drying too fast between sessions, consider upgrading to the Masterson Sta-Wet system to preserve your paint longer.

FAQs

Final Thoughts on the Best Palette Papers for Acrylics

After three months of testing 12 products, the Strathmore 300 Series remains my top overall pick for the best palette papers for acrylics in 2026. Its coated surface, trusted quality, and generous 12×16 format make it the most reliable disposable option for daily painting. The Masterson Sta-Wet refill paper is the best value for anyone who wants to preserve paint across sessions, and the Mr. Pen 9×12 is unbeatable for budget-conscious beginners.

Whether you choose a disposable pad for convenience or a stay-wet system for paint preservation, the right palette paper will make a measurable difference in your acrylic painting process. You will waste less paint, mix colors more accurately, and spend less time cleaning up. Pick the option that matches your workflow, and you will wonder how you ever painted without it.