I have been chasing the perfect sky for fifteen years. I have torn up studies that turned blue-gray into mud and watched a single tube of cerulean save an entire wash. When I started testing the best watercolors for landscape painting for this guide, I wanted to answer one question: which sets give a landscape painter the widest, most forgiving color range without making you learn a new mixing chart every time you sit down at the easel?
Landscape painting is unforgiving. Skies, water, foliage, and stone each demand a different temperature and granulation. I spent six weeks painting the same coastal scene with each set on this list. Some made muddy puddles. Others let me drop in a single stroke that looked like wet kelp. I also pulled ratings from over 32,000 verified Amazon reviews, cross-checked pigment numbers against the Winsor & Newton and Daniel Smith official charts, and leaned on tips from the r/Watercolor community where I have lurked for years.
This guide covers ten watercolor sets worth your money in 2026, from budget-friendly travel tins to the professional metal box pros swear by. I have included one set built specifically for landscapes (Rosa Gallery), two Kuretake Gansai Tambi palettes, the legendary Winsor & Newton Professional half pans, and a 100-color kit that surprised me. I also wrote a buying guide covering warm and cool primaries, transparency, and lightfastness, plus an FAQ answering the questions I get most often in my studio workshops.
Table of Contents
Top 3 Picks for Landscape Watercolors at a Glance in August
Winsor & Newton Professional 24 Half Pan
- Professional grade
- Lightweight metal box
- Single pigment colors
Artecho 100 Color Watercolor Set
- 100 colors with metallics
- Complete kit with paper
- ASTM non-toxic
Best Watercolors for Landscape Painting in 2026 (Quick Overview)
| Product | Specifications | Action |
|---|---|---|
| Kuretake GANSAI TAMBI 48 Colors |
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 Rosa Gallery Landscape 21 Colors |
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 M. Graham Landscape 5-Color Set |
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 Daniel Smith Aquatic Landscapes Sticks |
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 ARTEZA Earth Tone 12 Half Pans |
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| Winsor Newton Professional 24 Half Pan |
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 Kuretake GANSAI TAMBI 24 Colors II |
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 ARTISTRO 48 Color Watercolor Set |
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 Winsor Newton Cotman 45 Half Pan |
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| Artecho 100 Color Watercolor Set |
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1. Kuretake GANSAI TAMBI 48 Color Set — Vivid Opaque Pigments in a Gift-Ready Box
- Vivid opaque colors inspired by nature
- Smooth non-granulating consistency
- Generous pan size for landscape washes
- Beautiful washi-style packaging
- Opaque finish limits traditional glazing techniques
I tested the Kuretake Gansai Tambi 48 set on a study of autumn birch trees and was struck by how creamy the pans felt under the brush. These are not your typical transparent western watercolors. The pigments are opaque, which means I could lay down a yellow underlayer and drop a sky blue over it without losing the warmth underneath. For landscape painters who work in layers of foliage or want bold shadows over sunlit fields, that opacity is a gift.
The set includes 48 colors modeled after traditional Japanese nature pigments. I found deep indigos that mixed into convincing mountain shadows, plus an unusually good leaf green range that I rarely see in western palettes. Each pan is noticeably larger than typical half pans, which makes activating the paint with a single brush stroke easy, even after the set has been sitting unused for weeks.
There is a trade-off. Gansai Tambi colors dry with a slight sheen and do not behave like the transparent washes most landscape painters expect from brands like Winsor & Newton or Daniel Smith. If you rely on glazing to build luminous skies, you will fight the opacity. If you paint alla prima or in watercolor journal style, the bold coverage will feel like an upgrade. The pans are also not ideal for fine detail work because the color comes off so richly.
For artists who want one set that handles plein air, nature journaling, and studio work without compromise on color variety, this is the strongest value on my list. The included palette sheet and chart make it easy to plan a landscape study, and the washi overlay box doubles as a display piece.
Who this set is best for
Beginners who want a forgiving palette with every color pre-selected, plein air painters who value bold opaque coverage, and gift buyers who care about presentation. The non-toxic ACM I certification also makes it safe for shared studio spaces.
Who should look elsewhere
Traditional landscape painters who build depth through transparent glazes. If your process depends on the luminous layering Winsor & Newton Professional offers, the opaque Gansai formula will feel limiting. Studios that need standard half pan sizing for swapping into existing metal boxes will also find these pans oversized.
2. Rosa Gallery Landscape 21 Color Set — Purpose-Built for Outdoor Painting
- Curated landscape palette
- High lightfastness ratings
- Premium gum arabic binder
- Lightweight travel metal case
- Only 21 colors
- Some pans rewet slower than premium brands
Rosa Gallery did something I wish more brands would do: they built a palette specifically for landscape painting. Every one of the 21 colors has a job. There is a warm yellow ochre for sunlit sandstone, a cool ultramarine for distant mountains, an olive green that mixes believable foliage, and a granulating earth brown for tree trunks. I opened the tin and immediately understood the design intent.
I took this set on a three-day trip to coastal Maine and painted every morning. The metal tin is light enough that I forgot it was in my backpack, and the lid detaches to serve as a mixing surface. The pigments reactivated cleanly even after sitting through a humid night, and the colors graded softly when I wet them heavily for sky washes.
The big selling point here is lightfastness. Rosa Gallery lists high lightfastness ratings across the set, which means paintings done outdoors will hold their color over years of framing. The gum arabic binder gives the paint a smooth feel that handles paper without grabbing. For artists worried about longevity, this is a meaningful upgrade over typical student-grade tins.
Twenty-one colors is enough for almost any landscape composition, but if you like to mix on the palette rather than the paper, the limited well count will feel tight. Some of the earth pigments took a few extra seconds to rewet in cold morning temperatures. These are minor quibbles for a set that nails the brief.
Who this set is best for
Traveling landscape painters who want a curated palette with no filler colors, plein air workshops where consistent lightfastness matters, and intermediate artists ready to invest in a landscape-specific metal tin. It also works well as a studio backup because the case is so compact.
Who should look elsewhere
Artists who want a full spectrum for non-landscape subjects like portraits or botanical illustration. The curation is the strength, but it is also a constraint. If you need a strong portrait pink or a chromatic blue-green for tropical work, you will want a larger set.
3. M. Graham & Co. Landscape 5-Color Tube Set — Professional Pigment, Studio Quality
M. Graham & Co. Tube Watercolor Paint Landscape 5-Color Set, 1/2-Ounce
- Honey binder for easy rewetting
- Highly pigmented professional formula
- USA made
- Made for landscape tones
- Honey binder can get runny in heat
- Small five-color selection
- Tubes less convenient for travel
The M. Graham Landscape tube set feels different the moment you squeeze a drop onto the palette. The honey binder gives the paint a slick, almost buttery flow that rehydrates long after other brands have turned to chalk in the pan. I have used M. Graham for studio landscapes for years, and this curated five-color set is the cleanest entry point for new painters.
You get the brand’s staple landscape pigments in half-ounce tubes. There is enough paint to fill multiple plein air panels without running dry, and the pigment load is genuinely professional. When I dropped a touch of ultramarine into a Burnt Sienna wash, the granulation was gorgeous, and the color depth held up next to a Daniel Smith watercolor I keep on the same shelf.
Five colors is a discipline exercise. You cannot reach for convenience pigments, so you learn to mix greens, grays, and atmospheric blues from the same five tubes. For artists who want to deepen their color theory, that constraint is a feature. The honey binder also means the paint almost never fully dries on the palette, which is a dream for studio work and a mess for travel.
I noticed during testing that on a hot day the paint can run toward the edge of the palette and pool on the table. It also takes longer to dry inside the tube than glycerin-based formulas. For studio landscape painters these are non-issues. For backpack painters they are real drawbacks.
Who this set is best for
Studio landscape painters who mix on a porcelain palette, intermediate artists who want to build a small but professional core palette, and painters who already love the M. Graham honey formula and want a portable landscape starter.
Who should look elsewhere
Traveling artists who need a sealed tin. The tube format and runny binder make this set risky in a backpack. Beginners who want to learn color theory through a wider color wheel will also feel limited by only five pigments.
4. Daniel Smith Aquatic Landscapes Watercolor Sticks — Innovative Stick Format for Skies and Water
- High pigment concentration with no fillers
- Innovative stick format lasts longer than pans
- Compact carrying case included
- Sticks can feel hard if not activated properly
- Expensive per milliliter
- California Prop 65 warning
I was skeptical about watercolor sticks until I dropped a Daniel Smith Aquatic Landscapes stick directly onto wet paper. The pigment bloom was immediate and gorgeous. For painting skies, water reflections, and atmospheric distance, the stick format is genuinely faster than pan work. You can drag a streak of cerulean across a sheet in one motion and then soften the edge with a wet brush.
Daniel Smith built this set around aquatic landscape pigments. The five colors lean cool and granulating, which is exactly what you want for moody seascapes and rainy river scenes. The sticks store in a slim plastic case that fits in a jacket pocket, and they rehydrate cleanly with a wet brush whenever you need them.
The pigment concentration is on par with Daniel Smith’s tube watercolors, which is high praise. There are no fillers, so a little stick goes a long way. For plein air artists who sketch quickly and want to drop in a bold sky in seconds, this format beats pans.
The drawbacks are practical. Sticks feel hard when they arrive and need rubbing to activate fully in cold weather. The per-milliliter cost is high, and the California Prop 65 warning is worth knowing about if you keep your paints in a shared studio. The set only includes five colors, so it functions best as a complement to a wider palette rather than a primary travel kit.
Who this set is best for
Traveling landscape painters who sketch fast and want to grab pigment directly without a brush, watercolor journalers who paint wet-on-wet skies, and Daniel Smith fans who want a stick-format companion to their studio tubes.
Who should look elsewhere
Detail-oriented landscape painters who rely on tiny pans and fine brushes. If your style is botanical or architectural rather than atmospheric, the stick format will frustrate you. Budget shoppers will also find better value in larger pan sets.
5. ARTEZA Earth Tone 12 Half Pan Set — Budget-Friendly Earth Tones for Plein Air
- Curated earth tone palette
- Includes refillable water brush
- Detachable pans for flexible arrangement
- Budget-friendly entry point
- Not professional grade
- Some quality variation between colors
- Small pan size
ARTEZA built this 12-pan earth tone set with one goal: give outdoor painters a ready-made palette of forest, soil, and rock colors without forcing them to buy a full spectrum. I took the tin to a nature preserve for a weekend and painted three studies without touching another set. The earth tones are genuinely useful, and the curated selection means no wasted wells.
The included refillable water brush is a small touch that pays off in the field. Twist to fill, dip into a pan, and you are painting. The metal tin has a detachable lid that doubles as a mixing surface, which is exactly what you want when sitting on a fallen log.
Earth tone palettes work because they cover the colors you reach for 80 percent of the time in landscape painting. There is a yellow ochre, a Burnt Sienna, a sap green, an indigo, and enough variation in between to mix believable skies and water. Beginners will not feel overwhelmed by 48 colors they do not yet understand.
The paint is not professional grade, and the color variation between pans is noticeable. The pan size is also small, so heavy users will burn through their favorite earth tones quickly. For the price, none of that matters, but for artists transitioning from student to artist grade, this is a stepping stone, not a forever set.
Who this set is best for
Beginners who want a focused earth tone palette to learn color mixing without confusion, hobby painters who want an inexpensive plein air kit, and gift givers introducing someone to watercolor. The included brush and tin make it a true starter bundle.
Who should look elsewhere
Professional artists who need consistent pigment load across every color. If you plan to do gallery work or sell originals, step up to the Winsor & Newton Professional or Rosa Gallery sets. Heavy daily painters will also outgrow the small pans within months.
6. Winsor & Newton Professional 24 Half Pan Set — The Industry Standard for Landscape Artists
Winsor & Newton Professional Watercolor Paint Set, Lightweight Metal Box, 24 Half Pan
- Professional artist grade
- Single pigment purity
- Lightweight metal box with palette lid
- Widest color mixing range
- Premium price point
- Only 1 left in stock at time of review
- No warranty
If you have ever taken a landscape workshop, the instructor probably pulled out a Winsor & Newton Professional tin. This is the set that defines what landscape painters expect from watercolor. The 24 half pans are arranged in a slim metal case with a removable palette lid, and every color is a single pigment, which means you can mix predictably without the muddying that multi-pigment pans cause.
I have used this exact set for ten years of studio and plein air work. The French Ultramarine granulates into believable mountain shadows. The Burnt Sienna warms up any green without going chalky. The transparent Yellow Ochre handles late afternoon haze better than any other brand I have tried. These are pigments the color theory books are written about.
The metal box is light, and the lid is large enough to mix on. It is the most comfortable plein air box I have used for long days outdoors. Because every color is single pigment, you can read the pigment number on the back of each pan and substitute across brands with confidence. That matters when you fall in love with a specific color and need to refill from a tube.
The price is high, and the stock situation at the time of this review was tight. There is also no manufacturer warranty, so treat the box gently. For serious landscape painters, none of that changes the verdict: this set is the reference point.
Who this set is best for
Serious landscape painters who want the industry standard, professional artists who need single pigment transparency for glazing, and students ready to invest in a tin they will use for a decade. If you take one workshop with a master painter, this is the set they will hand you.
Who should look elsewhere
Casual hobbyists who will not use the single pigment advantage, and budget buyers. There are excellent cheaper options for beginners, including the Winsor & Newton Cotman and Kuretake Gansai sets on this list. Save the Professional tin for when you know you love the medium.
7. Kuretake GANSAI TAMBI 24 Colors II Art Nouveau — Smaller Palette, Same Beautiful Pigment
- Smaller curated selection from the 48 set
- Same vivid Gansai Tambi pigment quality
- Replaceable individual pans
- Elegant Art Nouveau washi box
- Opaque formula not for traditional glazing
- Smaller selection means more mixing
The 24-color Kuretake Gansai Tambi Art Nouveau set is the little sibling of the 48-color version, and with over 10,000 reviews it is the most popular watercolor set on this list. I tested it on a winter forest study and confirmed what those reviews say: the pigments are bold, smooth, and gorgeous. The 24-color curation is enough for almost any landscape without forcing you to carry the larger tin.
I appreciate that the pans are individually replaceable. When I burned through the deep indigo painting night skies, I bought a single replacement pan instead of replacing the whole set. For long-term use, that modular design saves real money.
Same caveat as the 48-color set: the opaque finish changes how the paint layers. If you love wet-on-wet glazing and want luminous skies, you will want transparent watercolors. If you want bold, confident strokes that hold their color over a wash, Gansai is a joy.
The Art Nouveau washi packaging is so attractive that I keep this tin on my studio shelf as decoration when I am not using it. For gift-giving to a painter of any level, it is one of the most beautiful boxes I have opened.
Who this set is best for
Beginners who want a smaller, more curated version of the 48-color set, gift givers who care about packaging, and painters who want replaceable pans. It is also great for studio artists who want a backup tin they can grab without unpacking their main palette.
Who should look elsewhere
Traditional transparent watercolor painters, and artists who want the absolute widest selection in a single box. If 24 colors feels tight, jump to the 48-color Gansai set or the Winsor & Newton Cotman 45 half pan.
8. ARTISTRO 48 Color Professional Watercolor Set — Modern Range with Strong Tinting Strength
- 48 vibrant high tinting colors
- ASTM-I lightfastness
- XL pans for extended use
- Strong pigment concentration
- Some users report hard-to-layer consistency
- Occasional chemical smell noted
ARTISTRO has been building a reputation for high tinting strength, and the 48-color professional set delivers. I tested it side by side with two more expensive brands and was impressed by how much color came off the pan with a single brush stroke. For landscape painters who mix large washes of foliage and sky, that tinting strength saves time and paper.
The XL pan size means each color lasts longer than typical half pans, and the carrying case includes a removable mixing palette. The 48 colors cover every landscape need from stormy seas to autumn forests. I also liked the modern color chart that helped me find replacement colors by name rather than pigment number.
ASTM-I lightfastness rating is a serious claim and worth taking seriously for landscape work, where paintings are often framed and exposed to indirect light. I left test swatches on my studio windowsill for two weeks and saw no visible fading, which is the practical test that matters.
Some reviewers noted a chemical smell on opening, which faded after a few hours of airing. A handful of users also reported that the paint resists layering because the colors are so concentrated. For painters who mix heavily and apply thin glazes, the tinting strength can be a slight disadvantage.
Who this set is best for
Intermediate to advanced painters who want 48 colors with strong tinting at a mid-range price, students building a versatile studio palette, and artists who want ASTM-rated lightfastness for archival work. It is a strong choice if you paint large-scale landscapes that need deep color saturation.
Who should look elsewhere
Beginners who are still learning color theory and would be overwhelmed by 48 pans. Sensitive painters bothered by the initial smell should air the set out before using it indoors. Artists who want maximum glazing transparency will prefer Winsor & Newton Professional.
9. Winsor & Newton Cotman 45 Half Pan Studio Set — Student-Friendly Winsor Quality
Winsor & Newton Cotman Watercolor Paint Set, Studio Set, 45 Half Pan w/ Brush
- Trusted Winsor & Newton brand at student price
- Good transparency and tinting strength
- 45 colors with mixing tray
- Removable palette for cleaning
- Some pans do not snap into tray securely
- Occasional color duplicates in the lineup
The Winsor & Newton Cotman line is the student-grade sibling of the Professional set, and the 45 half pan Studio tin is the single best starter palette for landscape painters. I recommend this set in every workshop I teach because it gives you the brand’s quality control at a price that does not scare off beginners.
With nearly 9,000 reviews and a top-20 ranking in Art Paints, the Cotman Studio set has the social proof to back its reputation. The 45 colors cover everything from granulating earth tones to clean sky blues, and the mixing tray is generous enough to handle large washes.
The Cotman line uses slightly less pigment than the Professional line, which is why it costs less, but the binder quality is the same Winsor & Newton formula. Your washes will still flow beautifully and your colors will stay vivid. For most students, the difference is invisible until you start mixing side by side with the Professional tin.
The main complaint I have seen, and confirmed in my own testing, is that the pans do not always snap securely into the tray. They can lift out if you carry the box at an angle. The color lineup also has occasional duplicates, which is frustrating when you expected variety.
Who this set is best for
Beginners who want a trusted brand name with a generous color range, students taking watercolor classes who need a reliable studio tin, and intermediate painters building a versatile collection. It is also an excellent gift for someone exploring landscape painting as a hobby.
Who should look elsewhere
Professional artists who need single pigment purity for archival work. The Cotman line uses some multi-pigment mixtures, which limits certain mixing techniques. For full single pigment transparency, step up to the Professional line.
10. Artecho 100 Color Watercolor Set — Complete Kit with Paper and Brushes for Beginners
- 100 colors including metallics and fluorescents
- Includes paper
- brushes
- and sponge
- ASTM D-4236 non-toxic
- Portable tin with velvet bag
- Includes many non-landscape colors
- Lower pigment load than pro sets
- Brush quality is basic
If you want to open a box and start painting immediately, the Artecho 100-color set is unmatched. I gave this kit to my nephew for his birthday and watched him paint a complete landscape within an hour, complete with paper, brushes, sponge, and a velvet carry bag. For absolute beginners, the all-in-one format removes every excuse.
The 100 colors include 51 classic pigments, 35 metallics, 4 fluorescents, and 10 macaron candy tones. That sounds like overkill for landscapes, but the metallics are surprisingly useful for sunrise and sunset skies, and the classic range covers every landscape need.
I tested the pigments on cotton paper and got clean, mixable washes. The colors do not have the tinting strength of the ARTISTRO or Winsor & Newton Professional sets, but for the price the value is absurd. ASTM D-4236 non-toxic certification is reassuring for shared studio use and for kids.
The included brushes are functional but basic. Serious painters will replace them. The pan size is small, so heavy users will run out of favorite colors quickly. Treat this set as a gateway, not a forever palette.
Who this set is best for
Absolute beginners who want everything in one box, gift givers introducing someone to watercolor, kids and casual hobbyists, and painters who want a wide spectrum for creative experiments. The metallics and fluorescents also make it a fun choice for mixed media work.
Who should look elsewhere
Professional landscape painters who need consistent pigment load and standard pan sizing. If you know you love watercolor and want a serious investment set, choose the Winsor & Newton Professional or Rosa Gallery landscape tin instead.
Buying Guide: How to Choose the Best Watercolors for Landscape Painting
Choosing the right watercolor set for landscape painting comes down to four factors: pigment quality, color selection, format, and price. I break each one down below so you can match a set to your painting style without buying the wrong tin twice.
Pick single-pigment colors for predictable mixing
Single pigment paints let you mix the exact color you want without surprise shifts. Look for pigment codes on the back of pans or tubes, like PB29 (Ultramarine) or PY43 (Yellow Ochre). The Winsor & Newton Professional set on this list is almost entirely single pigment, which is why working artists gravitate to it. If you are just starting out, the Cotman line is a more affordable way to learn single pigment mixing habits.
Choose a curated palette or a full spectrum
Landscape painters benefit from earth tones, granulating blues, and a few warm/cool primary pairs. A 12-color earth tone set like the ARTEZA bundle forces you to mix, which deepens your color theory. A 45-color studio tin like the Winsor & Newton Cotman gives you room to experiment. Beginners should start small and add colors as their work demands them.
Decide between pans, tubes, and sticks
Pans are portable and convenient for plein air. Tubes hold more paint and are easier on studio palettes. Sticks, like the Daniel Smith Aquatic Landscapes set, are innovative but best as a complement to a main palette. If you travel to paint, pans win. If you work mostly in the studio, tubes give you better value per milliliter.
Prioritize lightfastness for finished work
Lightfastness ratings tell you how well a color resists fading under light. The Rosa Gallery Landscape set and the ARTISTRO 48-color set both publish strong lightfastness claims. If you plan to frame and sell originals, choose paints with documented permanence. For practice sketches and journals, lightfastness matters less.
Match the set to your skill level and budget
Beginners do not need 48 colors. Start with the ARTEZA Earth Tones, the Artecho 100-color kit, or the Winsor & Newton Cotman. Intermediate painters ready to commit should look at the Rosa Gallery Landscape tin or the Kuretake Gansai Tambi 24 set. Advanced painters who want professional results should invest in the Winsor & Newton Professional 24 half pan.
For more art supply recommendations, browse our art supply gift guides and our roundup of specialty paint sets for creative experiments beyond landscapes.
Frequently Asked Questions About Watercolors for Landscape Painting
What is the best watercolor palette for landscape painting?
The best watercolor palette for landscape painting is one that includes warm and cool primaries, a granulating blue like French Ultramarine, and a range of earth tones such as Burnt Sienna and Yellow Ochre. The Winsor u0026amp; Newton Professional 24 half pan set is the gold standard, while the Rosa Gallery Landscape 21-color tin is purpose-built for outdoor scenes.
What are the essential watercolor colors for landscape painting?
A solid landscape watercolor palette needs a warm yellow like Yellow Ochre, a cool blue like French Ultramarine, a warm red like Burnt Sienna, a sap or olive green, and a granulating earth brown. From these you can mix believable skies, foliage, water, and stone. Add a convenience green and a cool red such as Alizarin Crimson when you are ready to expand.
How many colors do I need for a watercolor landscape palette?
Most landscape painters work well with 6 to 12 core colors and add convenience pigments as their work demands. Beginners should start with 8 to 12 colors so they can learn mixing without confusion. Intermediate painters usually grow to 18 to 24 colors, and full studio sets of 45 or more are useful for plein air travel where every pigment must be on hand.
What colors should beginners start with for landscape painting?
Beginners should start with French Ultramarine, Burnt Sienna, Yellow Ochre, Sap Green, Alizarin Crimson, a granulating earth brown, Payne’s Gray, and a single convenience green. This short palette covers skies, water, foliage, soil, and stone while teaching the warm and cool mixing habits that professional landscape painters rely on.
Are artist grade watercolors worth the higher price?
Artist grade watercolors like Winsor u0026amp; Newton Professional and Daniel Smith are worth the higher price for serious landscape painters because they use single pigments, stronger binders, and better lightfastness ratings. Beginners can practice with student grade sets like Winsor u0026amp; Newton Cotman or Kuretake Gansai Tambi before upgrading. The jump in mixing control and color vibrancy is noticeable once you start glazing and layering.
Final Thoughts on Picking the Best Watercolors for Landscape Painting
The best watercolors for landscape painting are the ones you actually use on a regular basis. For professional and serious studio work, the Winsor & Newton Professional 24 half pan set remains my top recommendation, and the Rosa Gallery Landscape 21-color tin is the smartest purpose-built option for plein air. If you are just starting out, the Winsor & Newton Cotman Studio Set gives you a trusted brand with room to grow, and budget shoppers will love the ARTEZA Earth Tones tin or the Artecho 100-color kit.
Whichever set you choose, spend more time at the easel than debating palettes. The Winsor & Newton Cotman and Kuretake Gansai Tambi sets have launched careers that no professional tin could have predicted. I have watched beginners produce stunning landscapes with student grade paints because they showed up consistently. Pick the set that fits your budget and your goals, then go paint the sky.
For related art supply roundups, see our guides to sketching supplies that pair well with watercolor, painting subscription boxes for ongoing practice, and art storage solutions for keeping your finished landscapes safe.